The Last Tide
Mara Ellison
Tense, close and atmospheric
“The storm reached Cape Mercy an hour before the ferry was due, and by nightfall there was no ferry, no radio and no road back to the mainland.”
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Audiobook Studio · Tasman PublishersFor Australian and New Zealand authors: we cast the right narrator, direct every session, edit and master each chapter to retail specification, and get your audiobook into the ears of listeners on every major platform.
Different books need different voices. From a tense thriller to a picture book full of character voices, every production is cast and directed for the story it is telling.
Mara Ellison
Tense, close and atmospheric
“The storm reached Cape Mercy an hour before the ferry was due, and by nightfall there was no ferry, no radio and no road back to the mainland.”
Rowan Calder
Rich, cinematic, many character voices
“The thief came to Harrowgate on the last night of the harvest fair, when the city was drunk on cider and lanterns.”
Ava Linden
Warm, playful, two points of view
“Callum Reid had grown up. That was the first unfair thing.”
Lily Tran
Bright and playful, with character voices
“Wombat woke up early. Today was going to be a VERY big day.”
Daniel Okafor
Calm, conversational, clear
“Interruptions are the biggest meeting nobody ever scheduled.”
June Macaulay
Intimate and reflective
“The road out of town was red dirt for forty kilometres, and I knew every corrugation of it by heart.”
Genre examples shown with concept covers, and more audio samples are being added. The Last Tide clip is narrated by an AI demo voice, included to show pacing, editing and mastering — client audiobooks are recorded by human narrators.
The narration style shapes how a listener experiences the whole book. We help you pick the one that suits your story and your budget.
One skilled voice for the whole book, shifting subtly between characters. The classic choice for most fiction and non-fiction.
Best for: novels, memoir, non-fictionTwo narrators, usually one for each lead, alternating by chapter or point of view. Listeners love it for romance.
Best for: romance, dual timelinesA voice for every major character, with a narrator holding it together. The closest thing to an audio drama.
Best for: fantasy, children's, seriesYour own voice, recorded with a director and engineer so it sounds professional from the first line to the last.
Best for: memoir, business, self-helpRetailers reject audiobooks that are too quiet, too loud or too noisy. Every chapter we deliver is edited, proofed against your manuscript and mastered to the published specification, so submission passes first time.
Drag to your book's word count.
Based on about 9,300 words per finished hour. Your narrator's pace sets the final length.
We prepare your chapter files, square cover art, retail sample and metadata, and submit them to the stores and library apps you choose.
You hear the voice before you commit, and you approve the finished chapters before anything goes to the stores.
Three to five narrators audition from your own text, and you choose the voice that fits.
A director in every session, working from a pronunciation guide built from your notes.
Noise removed, levels matched and every word checked against your manuscript.
Files, cover art and metadata submitted to the stores, ready for listeners to find.
What authors usually ask before their first audiobook.
A finished hour of audio is roughly 9,000 to 10,000 words, depending on the narrator's pace and the style of the book. An 80,000-word novel usually runs to about eight or nine hours.
Yes. We cast three to five narrators for your book and each one records an audition from your own text, so you hear how they handle your writing before you choose.
Your final, proofread manuscript and any notes on pronunciation, character voices or accents. We turn those into a pronunciation guide for the narrator before recording starts.
We prepare the files, cover art and metadata for the major audiobook stores and library platforms, including Audible, Apple Books, Spotify, Google Play and Kobo, and submit them for you.
Yes. Every chapter is edited, proofed against your manuscript and mastered to the technical specifications the retailers publish, including level, peak and noise-floor requirements.
The narrator auditions are recorded from your own manuscript, so you hear real samples of your book before full production begins.
Send us your title, genre and word count. We'll come back with a fixed quote and start casting narrators for your auditions.
Work with an Adelaide-based author services team today.